I loved their sound and bought just about everything but once the 80's rolled around I became disenchanted. I'm a woman, and I can appreciate the attractive qualities of some of the band members, but the excessive ranting and ravings of some of their female fans really put me off. That's all fine and good between the 12 to 17 age group, but these women were over 35 and very scary. Get over it people.
Funk melody Funk melody is based on funk carioca beat but with romantic focus. It attracts more female singers. Popular funk melody singers are PerllaBabiMr.
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Catra and Copacabana Beat. Rasteirinha Rasterinha is a slow kind of funk carioca that is about 96 BPM and uses atabaques, panderos, and beatboxing from the genre.
The content of the genre involves the selling of illegal drugs and the war against law enforcement agencies, as well as praising a drug cartel.
Then the European media began to report its peculiar combination of music, social issues with a strong sexual appeal often pornographic. Infor the first time, funk carioca tracks appeared on a non-Brazilian label.
It contained three old-school funk carioca hits, including the song " Popozuda Rock n' Roll " by De Falla. Haaksman continued to produce and distribute many new baile funk records, especially the EP series "Funk Mundial"  and "Baile Funk Masters" on his label Man Recordings.
Indance clubs from Eastern Europemainly Romania and Bulgariaincreased the popularity of funk carioca due to the strong sexual appeal often pornographic of the music and dance, also known as Bonde das Popozudas.
Many funk carioca artists started to do shows abroad at that time. The funk carioca production was until then limited to playing in the ghettos and the Brazilian pop market.
He would go on to travel in over 10 European countries. Their radio show was entirely dedicated to funk carioca and worked as a platform for the duo to produce and organize a series of film programs as well as interviews and gigs involving funk carioca artists from Rio.
Apart from this, Tetine also produced two albums with experimental DIY queer funk carioca: He also produced documentary Favela on Blastwhich was released in July and documents the role, culture, and character of funk carioca in Rio's favelas. These generally focused on the social issues in the favelas.
One of the most famous of these series of documentaries is Mr Catra the faithful  by Danish filmmaker Andreas Rosforth Johnsenbroadcast by many European open and cable television channels.
London-based artist Sandra D'Angelo was the first Italian singer-producer to bring funk carioca to Italy. She performed her baile funk productions for the contest Edison Change the Music in English indie pop band Everything Everything claim the drum patterns used on their Top 40 single Cough Cough were inspired by those used on Major Lazer 's Pon de Floora funk carioca song.
Criticism[ edit ] In Brazil, funk carioca lyrics are often criticized due to their violent and sexually explicit lyrics, as well as misogynistic content.
The degradation of women as objects for sex is a recurring theme in funk carioca.
Girls are called "cachorras" bitches and "popozudas" - large asses, and many songs revolve around casual and degrading sex practices with them. Besides the moral considerations, in favelas, where sanitary conditions are poor and sex education low, this might lead to public health and social issues.
In such communities, definitive contraceptive methods are hardly available and due to lack of education and awareness, family planning is close to nonexistent. Its themes include praising the murders of rival gang members and cops, intimidating opposers, claiming power over the favelas, robbery, drug use and the illicit life of drug dealers in general.
Authorities view some of these lyrics as "recruiting" people to organized crime and inciting violence, and playing some of these songs are thus considered a crime. They are popular hot spots for drug trade and consumption, dealers display power frequenting the parties heavily armed,  and even murder rates are high.
The first version is the one broadcast by local radio stations; the second is played in dance halls, parties, and in public by sound cars. This is usually denounced in the lyrics and the hope for a better life is carried through many of their messages.
It has been rumored that most of the funk projects in favelas are also financially backed by drug lords, so many song lyrics deal with challenging the police together with a subversive nature to the law currently established in Brazil. Response[ edit ] Defenders of funk carioca argue that the genre is an authentic expression of the culture of Afro-Brazilian communities, and the lyrics of a sexual nature reflect the sexual freedom found in Brazilian society.Archives and past articles from the Philadelphia Inquirer, Philadelphia Daily News, and leslutinsduphoenix.com M.I.A.
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